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Robert Davidson is one of Canada's most important contemporary artists. He has been immensely influential in the direction that modern Northwest Coast art has developed over the last six decades. He is a master in every medium, including wood, gold, silver, argillite, silkscreen and bronze.
Davidson belongs to the Eagle clan and his Haida name is Guud San Glans, Eagle of the Dawn. Born in Hydaburg, Alaska, in 1946, he grew up in Old Massett, Haida Gwaii. At the early age of 13, he received training as an argillite and wood carver from his father, Claude Davidson, and grandfather, Robert Davidson Sr. Davidson’s great grandfather, Charles Edenshaw, was a renowned turn-of-the-century Haida artist. Much of Davidson’s cultural knowledge of Haida traditions was passed down to him by his paternal grandmother Florence Davidson, who had been raised in the old Haida ways.
In the late 1960s, Davidson apprenticed with Bill Reid and studied at the Vancouver School of Art. In 1969 he carved and raised a 40-foot totem pole in Old Massett which was the first to be raised in the village since 1871.
In 1995 he received the National Aboriginal Achievement Award for his contribution to First Nations art and culture. He has received the Order of British Columbia, and in 1996 was awarded the prestigious Order of Canada. He received both the Governor General’s Award for Visual Arts and the Audain Prize for Lifetime Achievement Award in the Visual Arts in 2010. In 2019 Robert was the subject of the documentary Haida Modern. Robert is currently carving a 22 foot totem pole with the Douglas Reynolds Gallery.
Wintertime
Robert Davidson (Haida)
2015 Edition /75 Available framed for $2,000 CAD. Please contact the gallery directly. The origin...
2015 Edition /75 Available framed for $2,000 CAD. Please contact the gallery directly. The original painting to this print edition appears in “Robert Davidson: Abstract Impulse” which is the accompanying book to the exhibition that took place at both the Seattle Art Museum and the National Museum of the American Indian, in 2014. The painting is described on page 80: "Haida life has for generations been dominated by the seasonal rounds of available foods, most of which are preserved in spring,...
$1,500.00
sk'ug sdang (Two Dog Salmon)
Robert Davidson (Haida)
Edition /97 Available framed for $2,000 CAD. Please contact the gallery directly. "Two Dog Salmon...
Edition /97 Available framed for $2,000 CAD. Please contact the gallery directly. "Two Dog Salmon is a reminder that the Salmon mysteriously returns each year to lay its eggs. We continually trust the process and that it will continue. We must support and nurture the environment to ensure that we have a future." - Robert Davidson Indigenous artwork on the Pacific Northwest Coast often incorporates figures and animals that are related to crest symbols. Crests have been passed down through fami...
$1,500.00
Kugann jaad Giidii - Child of Mouse Woman
Robert Davidson (Haida)
2016 Edition /71 Available framed for $2,300 CAD. Please contact the gallery directly. The origin...
2016 Edition /71 Available framed for $2,300 CAD. Please contact the gallery directly. The original to the print "kugann jaad giidii" - Child of Mouse Woman, was an acrylic painting on canvas that was featured in Robert's exhibition, Abstract Edge, which opened at the Museum of Anthropology in 2004 and toured across Canada to various locations. Mouse Woman is known throughout the Northwest Coast under different names, and is sometimes represented in the art of Bill Reid and Robert Davidson in...
$1,500.00
Southeast Wind (Killer Whale Pole)
Robert Davidson (Haida)
Southeast Wind is a Killer Whale with Human and Wiid, a supernatural Haida bird. The two holes re...
Southeast Wind is a Killer Whale with Human and Wiid, a supernatural Haida bird. The two holes represent the eyes of the Killer Whale. Around Wiid's head at the base of the pole is the mouth of Killer Whale and the tail is at the top, surrounding Human. This totem pole was part of an exhibition "Abstract Impulse" that opened in 2013 at the Seattle Art Museum and closed (2014) at the Smithsonian in New York City. This totem was exhibited again in the exhibition "Robert Davidson Progression of ...
Raven Necklace
Robert Davidson (Haida)
2005 Chain: 21 ¾" L This piece is stored off-site. To arrange a viewing, please contact the galle...
2005 Chain: 21 ¾" L This piece is stored off-site. To arrange a viewing, please contact the gallery directly. Indigenous artwork on the Pacific Northwest Coast often incorporates figures and animals that are related to crest symbols. Crests have been passed down through families and have varying meanings depending on the context and association with a nation, clan, or family. The figures depicted in contemporary Northwest Coast Indigenous artwork also have varying meanings but there are some...
Frog Pendant
Robert Davidson (Haida)
Edition 4/5 16" Chain This piece is stored off-site. To arrange a viewing, please contact the gal...
Edition 4/5 16" Chain This piece is stored off-site. To arrange a viewing, please contact the gallery directly. Indigenous artwork on the Pacific Northwest Coast often incorporates figures and animals that are related to crest symbols. Crests have been passed down through families and have varying meanings depending on the context and association with a nation, clan, or family. The figures depicted in contemporary Northwest Coast Indigenous artwork also have varying meanings but there are so...
Eagle Nai
Robert Davidson (Haida)
Width of Pole: 34" WBase: 4" H x 46" L x 26" WEagle Nai is symbolic of the House of the Eagle. Ea...
Width of Pole: 34" WBase: 4" H x 46" L x 26" WEagle Nai is symbolic of the House of the Eagle. Eagle's face is shown at the bottom of the pole, the hole represents the doorway with human faces on top. The design on the back of the totem pole is delightful as well but viewing the piece from one side doesn't take anything away from its appeal.This totem was exhibited in the exhibition "Robert Davidson Progression of Form" at the Gordon Smith Gallery in Vancouver in 2015. Since then it has remai...