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Burden Basket
Artist Unknown (Klikitat)
c. 1880To view a similar style Klickitat (Klikitat) burden basket that is housed in the permanent...
c. 1880To view a similar style Klickitat (Klikitat) burden basket that is housed in the permanent collection of the Museum of Anthropology at UBC, click here.
$800.00
Round Lidded Basket
Artist Unknown (Salish)
c. 1925*Note: This basket has First Nations repair.
c. 1925*Note: This basket has First Nations repair.
$1,600.00
Salish Basket
Artist Unknown (Salish)
Traditionally an art practiced only by women, in the past baskets were made for a wide variety of...
Traditionally an art practiced only by women, in the past baskets were made for a wide variety of domestic uses associated with the gathering, storing and cooking of different foods. Similar weaving techniques were also used to make cradles and hats for everyday and ceremonial uses.Most basketry is traditionally woven from long, slender and pliant rootlets of cedar and sometimes spruce, although various grasses are used in some regions. A sharply pointed bone awl is used to split the rootlet ...
$1,800.00
Rectangular Salish Lidded Basket
Artist Unknown (Salish)
Traditionally an art practiced only by women, in the past baskets were made for a wide variety of...
Traditionally an art practiced only by women, in the past baskets were made for a wide variety of domestic uses associated with the gathering, storing and cooking of different foods. Similar weaving techniques were also used to make cradles and hats for everyday and ceremonial uses.Most basketry is traditionally woven from long, slender and pliant rootlets of cedar and sometimes spruce, although various grasses are used in some regions. A sharply pointed bone awl is used to split the rootlet ...
$1,400.00
Round Lidded Basket
Artist Unknown (Salish)
Traditionally an art practiced only by women, in the past baskets were made for a wide variety of...
Traditionally an art practiced only by women, in the past baskets were made for a wide variety of domestic uses associated with the gathering, storing and cooking of different foods. Similar weaving techniques were also used to make cradles and hats for everyday and ceremonial uses.Most basketry is traditionally woven from long, slender and pliant rootlets of cedar and sometimes spruce, although various grasses are used in some regions. A sharply pointed bone awl is used to split the rootlet ...
$1,400.00
Eagle and Frog Tiles
Don Yeomans (Haida)
Edition /50Each tile measures 20" H x 20" WShown in a 3 x 3 configuration with a matte black pati...
Edition /50Each tile measures 20" H x 20" WShown in a 3 x 3 configuration with a matte black patina. Available in various patinas and configurations.Eagle is one of the most important beings in the art and mythology of the Northwest Coast. It is respected for its intelligence and power, as well as its extraordinary vision, in both the literal and figurative senses. Eagles in myth are, likewise, usually noble characters. Eagle is revered as a powerful hunter. Groups of mythical Eagles may ga...
$16,000.00
Noisy Fin
Robert Davidson (Haida)
Edition 4/7 Indigenous artwork on the Pacific Northwest Coast often incorporates figures and anim...
Edition 4/7 Indigenous artwork on the Pacific Northwest Coast often incorporates figures and animals that are related to crest symbols. Crests have been passed down through families and have varying meanings depending on the context and association with a nation, clan, or family. The figures depicted in contemporary Northwest Coast Indigenous artwork also have varying meanings but there are some common characteristics from a range of sources, including oral histories and artist descriptions.K...
$28,000.00
Salmon Trout Head II
Robert Davidson (Haida)
Edition /5 The Salmon trout head is a figure used in Northwest Coast First Nations art in the jo...
Edition /5 The Salmon trout head is a figure used in Northwest Coast First Nations art in the joints of a design or as the frame for an eye. The granite base is 29" wide. Indigenous artwork on the Pacific Northwest Coast often incorporates figures and animals that are related to crest symbols. Crests have been passed down through families and have varying meanings depending on the context and association with a nation, clan, or family. The figures depicted in contemporary Northwest Coast I...
$135,000.00
Welcome Frog Aluminum Gate
Don Yeomans (Haida)
To celebrate our 20th anniversary we approached Don Yeomans to make two special pieces for the ga...
To celebrate our 20th anniversary we approached Don Yeomans to make two special pieces for the gallery. The first was the design for the gallery's red aluminum gate, and the second was for a commemorative bronze edition. For both pieces, Don and Doug chose a frog design. For the door, Don said that he always has liked the friendly look of a frog and sees it as a welcoming figure. For the Bronze, Doug liked the association of Frogs with good luck, which appears in many cultures. On the opening...
Shore to Shore
Luke Marston (Salish)
Edition 3/12Measurements do not include base.This cast edition of 12 is a portion of Marston's br...
Edition 3/12Measurements do not include base.This cast edition of 12 is a portion of Marston's bronze installation in Stanley Park which stands at the site of the artist's family’s ancestral village site X̲wáýx̲way and commemorates the history of his ancestors, Portuguese Joe and his first and second Salish wives, Khaltinaht and Kwatleemaat. Marston is the great-great-grandson of Portuguese Joe and Kwatleemaat.
$17,000.00
Nanasimgit and the Whale
Don Yeomans (Haida)
Edition 6/12 This piece is stored offsite. Please contact the gallery to arrange viewing. The sto...
Edition 6/12 This piece is stored offsite. Please contact the gallery to arrange viewing. The story of Nanasimgit has long been told amongst the Haida, and Tsimshian of the Northern Northwest Coast. Amongst the Tsimshian, Nanasimgit is known as Gunarhnesemgyet or Gunar. The story tells of a woman being taken by the Killer Whales and made to marry. Nanasimgit ventures to the home of the Killer Whales to retrieve his wife and bring her home (Barbeau 1953: 269-286).
$35,000.00
Dogfish Plaster
Bill Reid (Haida)
c. 1991 This piece is stored offsite. To arrange a viewing please contact the gallery. This is a ...
c. 1991 This piece is stored offsite. To arrange a viewing please contact the gallery. This is a plaster of the yellow cedar Dogfish door that Reid carved in 1968 and which was used to make an edition of paper casts in 1991. Indigenous artwork on the Pacific Northwest Coast often incorporates figures and animals that are related to crest symbols. Crests have been passed down through families and have varying meanings depending on the context and association with a nation, clan, or family. T...
$90,000.00